윈슬로우 호머

 

 

미국의 화가 / Winslow Homer(1836~1910)

 

 

Winslow Homer, at the National Gallery of Art, New York City, 1880,
photo by Napoleon Sarony(1821~1896)

 

Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and printmaker, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in American art.

Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations.

 

Thanksgiving in Camp, 1862, wood engraving

Harper's Weekly

 

 

 

The War for the Union, 1862, wood engraving

(multiple museum collections)

 

 

 

The Bridle Path, 1868, oil painting

(Clark Art Institute)

 

 

 

Artists Sketching in the White Mountains, 1868, oil on panel

(Portland Museum of Art, Portland, Maine)

 

 

 

A Rainy Day in Camp, 1871, oil on canvas

Private collection

 

 

 

Two Are Company, Three Are None, 1872, wood engraving

Harper's Weekly

 

 

 

The Bathers, 1873, wood engraving,

Harper's Weekly

  

 

 

Gloucester Harbor, 1873, oil on canvas,

Nelson-Atkins Museum of Art 

 

 

 

Breezing Up (A Fair Wind), 1873~76, oil on canvas

(National Gallery of Art, Washington, D.C.)

 

 

 

   

Song of the Lark, 1876, oil on canvas,

Chrysler Museum of Art

 

 

 

A Visit from the Old Mistress, 1876,

Smithsonian American Art Museum

 

 

 

The new novel, 1877,

Museum of Fine arts, Springfield, Massachusetts

 

 

 

Camp Fire, 1877~1878, oil on canvas,

Metropolitan Museum of Art

 

 

 

Perils of the Sea, 1881, watercolor,

Sterling and Francine Clark Art Institute

 

 

 

Fisherwomen, Cullercoats, 1881, graphite and watercolor on paper,

Honolulu Museum of Art

 

 

 

Santiago de Cuba: Street Scene, 1885, watercolor and graphite,

Yale University Art Gallery

 

 

Improve the Present Hour, c. 1889, etching,

(multiple museum collections)

 

 

 

The Red Canoe, 1889, watercolor,

Peabody Collection

 

 

 

Sunlight on the Coast, 1890,
(Toledo Museum of Art, Ohio)

 

 

 

Cloud Shadows, 1890, oil on canvas,

(Spencer Museum of Art, University of Kansas, Lawrence)

 

 

 

Rowing Home, 1890, watercolor,
(Phillips Collection, Washington, D.C.)

 

 

 

The Fox Hunt, 1893, Oil on canvas, 96.5 x 174cm

Pennsylvania Academy of the Fine Arts

 

 

 

After the Hurricane, Bahamas, 1899, watercolor,

(Art Institute of Chicago)

 

 

 

The Gulf Stream, 1899, oil on canvas,

Metropolitan Museum of Art, New York City